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Geek Vibes Nation
17 hours ago
- Entertainment
- Geek Vibes Nation
Notes On A Virtual Cannes: ‘Dandelion's Odyssey,' ‘Death Does Not Exist,' ‘I Only Rest in the Storm,' and ‘Meteors'
The Croisette seems nice. Many have heard tell of its luxurious essence, what with the many movie stars, auteurs, producers, and journalists that annually trot its boulevard during the Cannes Film Festival. Cinephilia is the name of the game on those hallowed grounds, the air that reeks of ticket-reservation anxiety only being masked by the booze-sponsored scattered around the premises. Of course, I'm only guessing based on my experience at other festivals, and in all likelihood, these already vague details are dead wrong. Cannes remains on the bucket list, though as with any fest that is programmed to the gills, plenty of writers and critics such as myself and others at GVN have been lucky enough to catch a few of the titles that premiered in France earlier this month from home. For a few of them, I even crafted a homemade cheese board to set the proper mood. One's couch may not rival the Agnès Varda or Debussy screening venues. But worthwhile cinema, varying quality aside, has no set time zone nor locale. The following few Cannes premieres are living proof of exactly that. Dandelion's Odyssey (Momoko Seto) What to make of a longtime short film animator's feature debut, one that splits the difference between Flow and the weeds that terrorize your front yard berm? Perhaps there's no more important takeaway than the very plot of Momoko Seto's entrancing (if slight) Dandelion's Odyssey, the 76-minute saga of four dandelions working together to survive the challenges of an unknown cosmos, one that might make you reconsider yanking them from the soil in the future. After a series of nuclear explosions propelled them into space, the 'blowballs' – named Dendelion, Baraban, Léonto and Taraxa – find their search for safe sod to be a bit more treacherous than they bargained for. A clear comment on the modern climate catastrophe that continues to pillage the planet – and immigration, depending on your read – Seto's film sounds like a ridiculous ask only in terms of asking its audience to feel something for a quartet of Irish daisies, yet the director has her fingers firmly planted on the pulse of exactly what makes one exude compassion. It's easy for a viewer to weep over the fate of a black cat and his unlikely companions (one of which is a yellow lab, no less) as many did with Gints Zilbalodis' Oscar-winning film last year, but to inspire a similar response with plants, let alone dandelions, is tough, and not a task anyone would ever consider achievable. Seto succeeds in that effort, even if the film itself grows repetitive and farcical as its protagonists encounter threats in the form of fellow flora and fauna, not to mention the smattering of insects and amphibians that seem more dangerous on the surface than they are in execution. In order for a film to stretch beyond the bounds of being a mood piece, it has to do more, and to make us do more. Are questions about climate change bound to arise from Dandelion's Odyssey? If they do, they aren't new ones, nor the kind that will take us anywhere particularly revolutionary. Granted, that's a lot of unwarranted pressure to place on a wordless work of inspired animation – and my stars, is it that – but films are birthed into a world of demand, and it's difficult to note whether or not Seto's answers the call. It's triumphant in one sense, and more of a head-scratcher than it needs to be in another. (5/10) Death Does Not Exist (Félix Dufour-Laperrière) Not to be confused with Ryusuke Hamaguchi's masterful Evil Does Not Exist, Félix Dufour-Laperrière's French-Canadian triumph actually has something in common with the former title: Both films, both in name and in narrative, argue the opposite of what they proclaim with their labels. Death, like evil, is inevitable according to Dufour-Laperrière, and his fourth feature – equal parts Romain Gavras' Athena and Hayao Miyazaki's worldview – examines how a young person might reckon with that certainty. It's a foregone conclusion that our individual clocks will eventually tick down to their final seconds. The idea that Death Does Not Exist probes is how we choose to spend that time, and what we stand to gain and/or lose from every decision we make with it. The decision at the center of Dufour-Laperrière's film is for a group of radicals to make: In an effort to send a strong climate-related message to their community and the world at large, these juveniles aim to attack a powerful family at their lavish residence, hoping that their actions will change the course of history. After the last minute – notably, not 'at' – Hélène (voiced by Zeneb Blanchet) cannot go through with her part, beliefs be damned. It's a shocking decision that is sure to alter her future, but in what sense? Stunning illustration and the inspired, haunting use of limited colors keep Dufour-Laperrière's themes from ever being too challenging to assess, but his film's existential nature is never lost, especially given the writer-director's laser-honed focus on his complicated heroines (Karelle Tremblay's 'Manon' is a key figure to follow) and their equally complex partnership. In many ways, Death Does Not Exist is what one could imagine an animated film by Ladj Ly would look like, a credit to Dufour-Laperrière's understanding of how varying age groups understand and react to the backwards social and political machinations of their world. Gutting, imaginative, and a small but mighty standout. (7/10) 'I Only Rest in the Storm' (Pedro Pinho) Pedro Pinho's latest epic is a near four-hour task of a film that does its best to reward its viewer's patience by never being uninteresting. Here's the thing: Your patience will depend on a lot. For one, how strong your appetite is for a marathon that might seem as though it has no idea whether it wants to be a documentary or a scathing drama, let alone what it wants to be about. There's also the fact that it could feasibly have been separated into a number of shorts, its avant-garde, vignette-reliant construction resembling something closer to the work of Wang Bing than a true auteur. Now, that might just be Pinho's point with I Only Rest in the Storm: That fiction and nonfiction are interchangeable, not these 'genre' stipulations we tend to be far too quick to apply to every damn film that achieves proper circulation. His lead, Sérgio Coragem (playing Sérgio, natch), aids that idea. An engineer, he was brought from Portugal to Guinea-Bissau by an NGO to draft an 'impact assessment report' on an abandoned project but spends more time with two locals, best friends Diára (Cleo Diára) and Gui (Jonathan Guilherme), and the many more figures he encounters blur the lines between drama and documentary. (And not solely because of how much time Pinho enjoys spending with a gamut of non-professional actors.) An odyssey-level journey, I Only Rest in the Storm's focus is primarily pinned to a triumvirate of thematic prongs: The impact of Sérgio's whiteness on the community he's entered, the film's setting and its colonial history (namely the neo-colonialism its main character represents), and how the way one treats their responsibility can cause both internal and external harm. But Pinho's curiosity regarding these three ideas can't hinder his obsession-level partiality to Sérgio's sex life, a distracting element that ultimately reduce I Only Rest in the Storm to being an assemblage of a few curious films stuffed into a single massive one that doesn't quite know how to be about any of its many far-reaching – and far more compelling – concepts. Theoretically, this could have existed in a league similar to something like Miguel Gomes' brilliant Grand Tour. Instead, it's a film that wouldn't feel misnomered if it took the title of Pinho's 2017 feature: The Nothing Factory. (5/10) Météors (Hubert Chaurel) 'The heart of the film is [Paul Kircher, Idir Azougli and Salif Cissé,]' Météors writer-director Hubert Chaurel – premiering his second feature and first since 2017 – said of his film's cast. 'We wrote a story about characters who have known and cherished each other for a long time… If their mutual feelings were not believable, the film was doomed.' Thankfully, Météors is anything but doomed, but Chaurel isn't far off: If not for the undeniable chemistry between his three leads, the picture in question wouldn't be nearly as successful as it is in portraying the bond between a delinquent-adjacent duo (and their third, slightly more mature pal) careening towards chaos. Yet so much about Meteors feels lightyears beyond the actual experience its filmmaker possesses that you can see a world in which their connection is frayed and the movie is still highly engaging, if not as remarkable. Chaurel's innate knack for mining emotions, especially those of young men, goes for the jugular to the point where you're not only fearful for the boys' safety, but their well-being beyond the closing credits. Couple that with a startling visual sensibility – cinematographer Jacques Girault's nightlife-heavy tableaus never feel forced nor used as plug-and-play settings for a drama about troubled, misbehaving adolescents – and you have one of the festival's hidden gems. Perhaps this is no surprise given the talent Chaurel displayed in his 2017 feature Bloody Milk, the winner of that year's 'Best First Film' prize at Cannes, as well as Kircher (a consistent standout; no different here) and Azougli's rising stardom in French cinema. But what's really refreshing is a story about broken boys that genuinely roots itself in the heartbreak they struggle to manage and communicate. A simple premise – with a few stray, unexpected elements not worth spoiling here – is one thing. Taking it beyond the limits of its motifs, at least as they appear on paper, is what gives you one of this young year's best films. (8/10)
Geek Vibes Nation
17 hours ago
- Entertainment
- Geek Vibes Nation
Warner Bros. To Release Ryan Coogler's Hit Horror Film 'Sinners' On 4K UHD Blu-Ray This July
Warner Bros. Home Entertainment has officially announced that the hit horror film Sinners will be available to own on 4K UHD Blu-Ray, Blu-Ray, and DVD on July 8, 2025. The film will be available on Digital platforms on June 3rd. Written and directed by Academy Award-nominated filmmaker Ryan Coogler, Sinners stars Michael B. Jordan, Oscar nominee Hailee Steinfeld, Miles Caton, Jack O'Connell, Wunmi Mosaku, Jayme Lawson, Omar Miller, and Delroy Lindo. The 4K UHD Blu-Ray will feature the film with Dolby Vision, Dolby Atmos audio, and exclusive special features. It will be presented with expanded aspect ratio sequences, allowing consumers to see both 1.78:1 and 2.76:1 aspect ratios, as intended by the filmmaker for home viewing. Get more details below! Synopsis: Trying to leave their troubled lives behind, twin brothers (Jordan) return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back. DIGITAL, 4K, BLU-RAY & DVD SPECIAL FEATURES Dancing with the Devil: The Making of 'Sinners' – featurette (32:35) Journey with director Ryan Coogler as he makes his most personal and powerful film yet. Featuring Michael B. Jordan and an all-star cast, filmed on location in IMAX, 'Sinners' is an original genre-bending experience unlike any other. Thicker than Blood: Becoming the Smokestack Twins – featurette (10:45) Michael B. Jordan and Ryan Coogler take us through the development, creation and portrayal of the Smokestack Twins, revealing how make-up, costumes, and visual effects come together to support these seamless performances. Blues in the Night: The Music of 'Sinners' – featurette (13:44) Oscar-winning composer Ludwig Göransson explores the musical landscape of Sinners, including the iconic sounds of the Delta Blues, and the creation and recording of the unique and inspired performances written for the film. Spirits in the Deep South – featurette (7:58) Prof. Yvonne Chireau explores the backdrop of Hoodoo in the deep south and how its beliefs and traditions in spirituality, ancestors, the hereafter, and defense against evil inform the world and characters of 'Sinners.' The Wages of Sin: The Creature FX of 'Sinners' – featurette (10:51) Creature Makeup FX Designer Mike Fontaine reveals the secrets behind the supernatural horrors that terrorize the Juke, Ryan Coogler's fresh take on vampires, and the various gore and blood effects used throughout the film. Deleted Scenes (18:41) Includes deleted and/or extended scenes for a more immersive experience. Before we let you go, we have officially launched our merch store! Check out all of our amazing apparel when you click here and type in GVN15 at checkout for a 15% discount! Make sure to check out our podcasts each week including Geek Vibes Live, Top 10 with Tia, Wrestling Geeks Alliance and more! For major deals and money off on Amazon, make sure to use our affiliate link!
Geek Vibes Nation
17 hours ago
- Entertainment
- Geek Vibes Nation
Lionsgate To Release The Kerry Washington & Omar Sy Action Film 'Shadow Force' On Blu-Ray This July
Lionsgate Home Entertainment has announced that they will be releasing the action film Shadow Force on Blu-Ray and DVD on July 8, 2025. The film is currently available on Digital platforms. From director Joe Carnahan (Narc, The A-Team), the film stars Kerry Washington, Omar Sy, Mark Strong, Academy Award Winner Da'Vine Joy Randolph, and Cliff 'Method Man' Smith. The Blu-Ray comes with a Dolby Atmos audio track and exclusive special features. Get more details below! Synopsis: In SHADOW FORCE, Kyrah (Kerry Washington) and Issac (Omar Sy) were once leaders of a multinational special forces group called Shadow Force. They broke the rules by falling in love, and in order to protect their son, they go underground. With a large bounty on their heads, and the vengeful Shadow Force hot on their trail, one family's fight becomes all-out war. SPECIAL FEATURES Shadow Force: Declassified — Audio Commentary with Writer-Director Joe Carnahan and Editor Kevin Hale Making Shadow Force — Ain't Nothing to F*** With International Waters: The Locations Behind Shadow Force Isla Gunfight: Final Battle Breakdown Theatrical Trailer Before we let you go, we have officially launched our merch store! Check out all of our amazing apparel when you click here and type in GVN15 at checkout for a 15% discount! Make sure to check out our podcasts each week including Geek Vibes Live, Top 10 with Tia, Wrestling Geeks Alliance and more! For major deals and money off on Amazon, make sure to use our affiliate link!
Geek Vibes Nation
17 hours ago
- Entertainment
- Geek Vibes Nation
'Bring Her Back' Review - A Deeply Unsettling Glimpse At Unchecked Grief
Danny and Michael Philippou, the Australian brother duo who captivated horror fans with their directorial debut Talk to Me, prove they aren't one-trick ponies with their latest release, Bring Her Back. Both films showcase a visual style and aesthetic that are a bit similar, but the latter is more of a psychological slow burn that pays off gradually with each scene of escalating horror. While some horror tropes are present and accounted for, the true horror of the film is human nature itself. What can happen to a person when they are so warped by grief that they lose all concept of right and wrong? This is a story of trauma gone awry, and with this story, the Philippou brothers have crafted something truly haunting and a piece of cinema that audiences won't be able to easily shake. The film focuses on Andy (Billy Barratt) and Piper (Sora Wong), a step brother-step sister duo who share a particularly strong bond, but with that bond comes its own share of issues. Andy is wounded by years of physical abuse inflicted by his father, and Piper is a victim of a childhood accident that has rendered her almost completely blind. During a harrowing opening scene, their father dies, which requires a social worker to step in to find them a new foster situation. Initially, the plan is to split them up, but Andy insists that they should stay together until he can legally apply to be her guardian in three months, when he turns 18. Although there is some hesitation due to a violent incident from Andy's past, they find someone delighted to take them both in when Laura (Sally Hawkins) enters the picture. Laura is more fond of Piper because she lost her daughter, Cathy, in a drowning accident, while she merely tolerates Andy's presence when they enter her home. Also living with Laura is her nephew Oliver (Jonah Wren Phillips), a mute boy who stares off into the distance and finds himself drawn to the property's drained pool. It's not long before it's obvious that something is wrong with Oliver, and something is also very wrong with Laura. Bring Her Back features deeply disturbing scenes, and they'll be enough to make even the most hardcore horror fiends squeamish. The Philippou brothers aren't afraid to let the camera linger on these moments as they know the audience will be fascinated and disgusted by their presence. One scene involves chomping on the blade of a butcher knife with obvious results, while a table and flesh also become a deeply unnerving snack. The best thing to be said about these scenes is that, despite their grotesque nature, they aren't gratuitous and are absolutely necessary to sell the depravity of the character in question. These moments serve the story, and that's something that many horror films can't say about their display of gore and violence. What is more frightening than any gore the audience sees is the film's depiction of grief and how it can be transformed into something very dark and unsettling. Bring Her Back is a downer of a film with very little levity (the early moments with Laura offer up some eccentric laughs), and this makes it a horror film that won't be for everyone. I left the theater drained by my experience watching it as if I had been punched in the gut, and I mean that as the highest compliment. It achieves its goal of sucking you into its world of despair and it doesn't let you go. I sat with the film for days, almost if I experienced my own loss, and that's the power of what these filmmaker brothers have created. The film is essentially a four-person show, and Sally Hawkins leads the charge with a wonderfully unhinged performance that has many layers. In the beginning, she is offbeat but likable, which is necessary as Laura's true intentions need to be hidden. Once her true nature begins to emerge, Hawkins is more than dedicated to presenting Laura's devilish manipulations. However, the true strength of her performance is that she's able to elicit sympathy from the audience, despite her evil ways. Laura has experienced a profound loss that has lingered with her, and anyone who has lost a loved one will feel her pain. One scene where she shares with Andy how she hasn't coped with losing her daughter proves to be one of her best due to its quiet but powerful resonance. The fact that she can hit all of these emotional levels without missing a beat is a testament to her talent. Providing more than capable support are Billy Barratt and Sora Wong, who form a bond that is the heart of the film, which leads to some heartbreaking scenes that shook me to my core. While Hawkins will get a bulk of the praise (and it's deserved), the film truly wouldn't work without the relationship developed between Barratt and Wong. Their affection for each other is genuine, and even though it's shrouded in pain, it's evident that they will do anything for each other, particularly Andy, as her big brother. A scene in which Andy confesses to a mistake he made as a child that hurt Piper is particularly strong because of the bond forged on screen before this pivotal moment. Lastly, Jonah Wren Philips has to go to some dark places as Oliver and has to do so mostly without saying a word. To say this performance is committed would be an understatement. It will be interesting to see if mainstream audiences respond to Bring Her Back in the same way they did to Talk To Me. Many horror elements in the film will please genre fans (it's drenched in atmosphere and its sound design aids in elevating some of the film's more horrific scenes), but at its heart, this is a deeply disturbing domestic drama about loss, trauma, and grief. To say it's a downer would be an understatement and there are moments that hit you so hard it's difficult to not be emersed in its sadness but it's because of its willingness to go to some dark and honest places that Bring Her Back works, making it one of the best horror films to come along in years. Bring Her Back is now playing in theaters nationwide courtesy of A24.
Geek Vibes Nation
17 hours ago
- Business
- Geek Vibes Nation
Imprint Films Announces 4K UHD Titles Out This July Including Works From Dustin Hoffman, Sidney Poitier & More
Imprint Films has announced three new titles to join the collection on 4K UHD Blu-Ray in July: Malcolm X (1992), In the Heat of the Night (1967), and Midnight Cowboy (1969). These represent a selection of cinematic favorites not to be missed. Imprint Films is a specialty label based out of Australia whose releases can be played in Blu-Ray players worldwide, including U.S. players. All first pressings of each release will have strictly limited-edition deluxe packaging along with new transfers, audio commentaries, exclusive bonus features & more. Details on these films can be found below: Street Date: July 30, 2025 Synopsis: Denzel Washington stars in Spike Lee's visionary biopic of civil rights activist Malcolm X, joining the Imprint collection in 4K UHD with Dolby Vision. Praised by endless key filmmakers and critics, including Martin Scorsese and Roger Ebert, this masterpiece of cinema is a unique, essential, confronting vision of history, identity, and revolution. Follow the life and work of controversial leader Malcolm X, from his early life and incarceration to his eventual role as Nation of Islam minister and Black nationalist. Limited Edition 3-Disc Hardbox. 1500 copies only Special Features & Technical Specs: Disc One: 4K UHD 2160p Ultra-high-definition presentation on 4K UHD (Dolby Vision / HDR10) NEW Audio Commentary by film critic Odie Henderson Audio Commentary by film critic Odie Henderson Audio Commentary by director Spike Lee, cinematographer Ernest Dickerson, editor Barry Alexander and costume designer Ruth Carter Aspect Ratio 1.85:1 Audio: English DTS-HD 5.1 Surround + LPCM 2.0 Stereo Optional English HOH Subtitles Disc Two: Blu-ray 1080p High-definition transfer on Blu-ray of the 4K Restoration NEW Audio Commentary by film critic Odie Henderson Audio Commentary by film critic Odie Henderson Audio Commentary by director Spike Lee, cinematographer Ernest Dickerson, editor Barry Alexander and costume designer Ruth Carter Aspect Ratio 1.85:1 Audio: English DTS-HD 5.1 Surround + LPCM 2.0 Stereo Optional English HOH Subtitles Disc Three: Blu-ray Special Features By Any Means Necessary: The Making of 'Malcolm X' – documentary (2005) – documentary (2005) NEW 150 Locations and 1 Hidden Train – interview with production designer Wynn Thomas – interview with production designer Wynn Thomas NEW White Devils: The Cameos in 'Malcolm X' – featurette including interviews with Karen Allen and David Patrick Kelly – featurette including interviews with Karen Allen and David Patrick Kelly Deleted Scenes (with an introduction by director Spike Lee) Archival interviews with director Spike Lee, actors Denzel Washington, Angela Bassett, Al Freeman Jr, Malcolm X's daughter Attallah Shabazz & Malcolm X's widow, Dr. Betty Shabazz Street Date: July 30, 2025 Synopsis: Sidney Poitier and Rod Steiger star in the mystery crime thriller In The Heat of The Night, joining the Imprint collection in 4K UHD, in HDR and Dolby Vision for the first time worldwide. When a wealthy industrialist is found murdered in a small Mississippi town, Detective Virgil Tibbs, an experienced police officer from Philadelphia and local Police Chief Bill Gillespie are forced to work together to unravel the mystery, leading them on a line of enquiry that will challenge both of their preconceptions. The winner of Best Picture at the Academy Awards, In The Heat Of The Night is a powerful examination of dignity and prejudice, spawning two sequels and a television series, and becoming a staple of Hollywood that retains its longevity to this day. Limited Edition 2-Disc Hardbox with Hardback Booklet. 1500 copies only. Special Features and Technical Specs: Disc One: 4K UHD 2160p Ultra-high-definition presentation on 4K UHD ( NEW Dolby Vision / NEW HDR10) Dolby Vision / HDR10) Audio Commentary by director Norman Jewison, cinematographer Haskell Wexler, and actors Rod Steiger and Lee Grant Aspect Ratio 1.85:1 Audio: English DTS-HD 5.1 Surround + LPCM 2.0 Stereo Optional English HOH Subtitles Disc Two: Blu-ray 1080p High-definition transfer on Blu-ray of the 4K Restoration Audio Commentary by director Norman Jewison, cinematographer Haskell Wexler, and actors Rod Steiger and Lee Grant Turning Up the Heat: Movie Making in the 60s – featurette – featurette The Slap Heard Around the World – featurette – featurette Quincy Jones: Breaking New Sound – featurette – featurette Trailers from Hell: Michael Schlesinger on In the Heat of the Night More Special Features TBC Original Theatrical Trailer Aspect Ratio 1.85:1 Audio: English DTS-HD 5.1 Surround + LPCM 2.0 Stereo Optional English HOH Subtitles Booklet An exclusive booklet featuring a brand NEW essay by film historian Travis Woods, as well as full-colour photographs and production information. Street Date: July 30, 2025 Synopsis: 'I'm walkin' here!' Dustin Hoffman and Jon Voight star in the undisputed classic drama Midnight Cowboy, making its worldwide debut on 4K UHD with Dolby Vision. The winner of Best Picture at the Academy Awards, Midnight Cowboy has achieved a legacy like few other films. A dissection of the nostalgia of the New York nightmare, this raw, uncompromising picture takes you inside the minds of two desperate men chasing dreams in a city that offers none. When Joe Buck, a good-looking, naïvely charming Texas 'cowboy' makes his way to the Big Apple to seek his fortune, the only wealth he finds is in the friendship of Ratso Rizzo, a sleazy, small-time con man with big dreams. Living on the tattered fringe of society, these two outcasts develop an unlikely bond, one that transcends their broken dreams. Based on the book by James Leo Herlihy, and directed by John Schlesinger (who won the Oscar for Best Director for his work on this film), Midnight Cowboy continues to stand the test of time almost sixty years since its release, now fully restored and ripe for rediscovery in 4K. This Limited Edition 3-Disc Hardbox also includes the 2022 feature documentary Desperate Souls, Dark City and the Legend of Midnight Cowboy. 1500 copies only. Special Features and Technical Specs: Disc One: 4K UHD 2160p Ultra-high-definition presentation on 4K UHD (Dolby Vision / HDR10) NEW Audio Commentary by cinema author and critic Matthew Asprey Gear Audio Commentary by cinema author and critic Matthew Asprey Gear Audio Commentary by producer Jerome Hellman Aspect Ratio 1.85:1 Audio: English DTS-HD 5.1 Surround + LPCM 2.0 Stereo Optional English HOH Subtitles Disc Two: Blu-ray 1080p High-definition presentation on Blu-ray of the 4K Restoration NEW Audio Commentary by cinema author and critic Matthew Asprey Gear Audio Commentary by cinema author and critic Matthew Asprey Gear Audio Commentary by producer Jerome Hellman After Midnight: Reflections on the Classic – featurette – featurette Controversy and Acclaim – featurette – featurette Celebrating Schlesinger – featurette – featurette Theatrical Trailer Aspect Ratio 1.85:1 Audio: English DTS-HD 5.1 Surround + LPCM 2.0 Stereo Optional English HOH Subtitles Disc Three: Blu-ray – Feature Documentary: Desperate Souls, Dark City and the Legend of Midnight Cowboy (2022) 1080p High-definition presentation on Blu-ray of the feature documentary Extended interview with Midnight Cowboy cinematographer Adam Holender Trailer Aspect Ratio 1.75:1 Audio: DTS-HD 5.1 Surround + LPCM 2.0 Stereo Optional English HOH Subtitles Dillon is most comfortable sitting around in a theatre all day watching both big budget and independent movies. 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